There are two things I'd like to mention concerning the composition of this piece. First, I added the fifth figure (we see the back of his shoulders and head in the foreground) to keep the eye of the viewer in the painting. The gaze of this boy (we'll call him Steve), leads us to Amy, and next to Becca, floating with the beach ball. Our eyes follow the turn of Becca's head toward Matt and then travel on to Dustin. Dustin looks at Steve and the circle (or triangle) is completed. Our eyes stay in the shadowed portion of the picture as we follow the gazes of the figures. Second, I broke all the rules by placing the lighted area solely in the upper right hand corner of the painting. Once an artist learns the rules, she can break them from time to time for effect.
"Shadowplay", 36 x 48
When my children, Matt and Amy (center), were young, my wonderful in-laws took us on a vacation to Disneyland with their cousins, Dustin and Becca (on the outside). We stayed in the Lofton motorhome, parked at the Disneyland RV campground. After walking for hours around the park, we enjoyed relaxing breaks in the campground hot tub. I'm always drawn to the sight of water, and was fascinated by patterns created in the hot tub by air bubbles.
There are two things I'd like to mention concerning the composition of this piece. First, I added the fifth figure (we see the back of his shoulders and head in the foreground) to keep the eye of the viewer in the painting. The gaze of this boy (we'll call him Steve), leads us to Amy, and next to Becca, floating with the beach ball. Our eyes follow the turn of Becca's head toward Matt and then travel on to Dustin. Dustin looks at Steve and the circle (or triangle) is completed. Our eyes stay in the shadowed portion of the picture as we follow the gazes of the figures. Second, I broke all the rules by placing the lighted area solely in the upper right hand corner of the painting. Once an artist learns the rules, she can break them from time to time for effect.
There are two things I'd like to mention concerning the composition of this piece. First, I added the fifth figure (we see the back of his shoulders and head in the foreground) to keep the eye of the viewer in the painting. The gaze of this boy (we'll call him Steve), leads us to Amy, and next to Becca, floating with the beach ball. Our eyes follow the turn of Becca's head toward Matt and then travel on to Dustin. Dustin looks at Steve and the circle (or triangle) is completed. Our eyes stay in the shadowed portion of the picture as we follow the gazes of the figures. Second, I broke all the rules by placing the lighted area solely in the upper right hand corner of the painting. Once an artist learns the rules, she can break them from time to time for effect.
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